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Romeo Castellucci
Orphée et Eurydice (film)

5 APR 2018

Stéphanie d'Oustrac (Orphée)
Free admission within the limit of the number of places available.
talk 6 pm
screening 8 pm
Talk and screening curated by Piersandra Di Matteo with Romeo Castellucci, Annalisa Sacchi e Nicola Sani. Running time 90'
Triennale Teatro dell'Arte
For several years Romeo Castellucci's lyrical works have been staged by major theatres worldwide. Triennale Teatro dell’Arte presents the full screening of the film Orphée et Eurydice, an opera produced by Brussels’ La Monnaie in 2014.

“Fabulous and disquieting.”  La Libre

The visual urgency that characterizes Romeo Castellucci’s theatre is remarkably expressed in his opera productions. FOG presents the full screening of the film Orphée et Eurydice, an opera produced by Brussels’ La Monnaie Opera in 2014. The audience is invited to meet the director, Annalisa Sacchi (academic and professor of Theatre Aesthetics at IUAV, Venice) and Nicola Sani (composer and artistic director of Accademia Chigiana, Siena) for a pre-screening talk. The myth of Orpheus offers Castellucci the opportunity to reflect on the unfathomable condition of being in a coma. Mythology and Gluck’s music become mirrors through which human frailty is reflected, not in a voyeuristic manner, but to acknowledge art’s “duty to reflect on the human condition, including the most extreme” (Romeo Castellucci).

Romeo Castellucci (Cesena, 1960) is a director and set, lighting and costume designer, renowned all over the world for his theatre based on the totality of the arts, aimed at creating a comprehensive perception of the artwork. He has authored several theoretical essays on the art of directing. His theatre develops a dramaturgy which overturns the supremacy of the written text, thus transforming dramatic actions into complex art forms. His works are populated by extremely rich images and communicate through expressive codes as accessible as music, sculpture, panting or architecture. In 2005 he was appointed Director of the Venice Biennale’s Theatre section; he was awarded the title of Chevalier dans l’ordre des Arts et des Lettres and was appointed “artiste associé” by the artistic management of the 2008 Festival d’Avignon. In 2013 he was presented with the Venice Biennale’s Golden Lion for lifetime achievement; the Festival d’Automne in Paris, by presenting three of his works as part of the “Biennale Portrait” series in 2014 and 2015, has confirmed him once and for all as one of the greatest artists of our time. His company, Socìetas Raffaello Sanzio, founded in 1981, is considered as one of the world’s leading theatre groups for its radical aesthetic principles and the human depth of its creations. 


music: Christoph Willibald Gluck
version of: Hector Berlioz (1859)
direction, scenography, lights and costumes: Romeo Castellucci
musical direction: Hervé Niquet
artistic collaboration: Silvia Costa
drammaturgy: Piersandra Di Matteo e Christian Longchamp
video / stedycam: Vincent Pinckaers
choirmaster: Martino Faggiani
choirmaster La Choraline: Benoît Giaux
with: Stéphanie d’Oustrac (Orfeo), Sabine Deiveilhe (Euridice), Fanny Dupont (Amore)
Symphonic Orchestra and Choir of La Monnaie
members of the youth choir La Monnaie La Choraline
first violin: Eugenia Ryabinina
film director: Myriam Hoyer
performance production: La Monnaie - De Munt & Wiener Festwochen
in collaboration with: Wiener Festwochen, by initiative of La Monnaie - De Munt
film production: La Monnaie - De Munt




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