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XXII Triennale di Milano

Algeria
The Song

Exhibition

Algeria’s exhibition features fifteen products by Algerian designers, as well as a dozen architectural and urban projects that fall within the theme: toward a return to ancestral heritage values as resources and ways of life for an uncertain future. Algeria’s potential, and its local resources, can be capitalized on by mobilizing local know-how based on local and regional history, which has a strong identity and is promoted by quality processes. These processes should become the focus of new socioeconomic sectors aimed at strengthening the “heritagization” of this know-how.

The public—the main actor—can become more involved in the appropriation of these resources by mobilizing their capacities, reverting to past techniques of territorial marketing, and promoting community practices such as the use of the fougara plantation irrigation system adopted by the city of Ghardaïa in the south of Algeria, and earthen architecture, evidence of several civilizations scattered across the country. These trends of promotion and heritagization, based on competitive economic systems, increase the renown and quality appeal of the regions, which in tur encourages tourism. They integrate environmental sustainability while preserving local specificities. The value system behind heritagization processes in this new vision of territorial development attempts to reduce the opposition between modernity and tradition. Yet modernity continues to be a major factor in cultural, social, and political otherness—some see it as “a good that does evil,” and others as “an evil that does good.”
This return to nature, combined with the ancestral heritage, is reflected in the emergence and activation in this space of a process of mobilization, reconfiguration, and territorial impacts. These territorial heritage resources are increasingly becoming points of attraction—a range of diverse collective actions toward sustainable development and an acceptable quality of life in an uncertain future.

Credits

Organizing institution:
Ministry of Culture, Ministry of Housing, Urban Planning and the City Algerian Agency for Cultural Influence AARC

Curators:
Hellal Zoubir & Feriel Gasmi Issiakhem

Team:
Aissaoui Ryad scenography, Matari Jamel Photographs

Funding:
Ministry of Culture and Ministry of Housing, Urban Planning and the City

Support:
Algerian Agency for Cultural Radiation AARC 

Thanks to:
The Italian Embassy in Algeria and the Italian Cultural Centre for their administrative and monitoring support

Highlights

Leila Mammeri

Nabila Kalache, Tchi Tchi

Karim Sifaoui

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EXHIBITIONS

Price
Price
Full
18€
Students
14€
Under 26
14€
Over 65
14€
Disabled
14€
14€
ATM
Managers and employees from ATM and ATM Annual Travel Card owners with Carta Club ATM or recepit of purchase.
13€
Journalist
Free admission
Kids and Teens up to 16 yo
Free admission
Fridays for Future
Every Friday from 10.30 to 14.00 the students from all classes have the right to a free entrance to the XXII Triennale di Milano Broken Nature: Design Takes on Human Survival.
Free admission
Free admission
ICOM
Free admission
Lombardy Museums Subscribers
Free admission
M-ID Card
Free admission
Groups accompanist
Free admission
Disabled accompanist
Free admission

Digital Archive Preview

The digital archive will be available starting July 2019

X Triennale di Milano, 1954<br/>Labirinto dei ragazzi,Lodovico Barbiano di Belgioioso, Enrico Peressutti, Ernesto Nathan Rogers
X Triennale di Milano, 1954
Labirinto dei ragazzi,Lodovico Barbiano di Belgioioso, Enrico Peressutti, Ernesto Nathan Rogers
XV Triennale di Milano, 1973<br/>Le cinque scale nella sezione giapponese, Kozo Abe, Makio Hasuike, Isao Hosoe, Tsutomu Katayanagi, Tashihiro Miki, Isao Ogawa
XV Triennale di Milano, 1973
Le cinque scale nella sezione giapponese, Kozo Abe, Makio Hasuike, Isao Hosoe, Tsutomu Katayanagi, Tashihiro Miki, Isao Ogawa
Veduta notturna del Palazzo dell’Arte da Torre Littoria, 1932
Veduta notturna del Palazzo dell’Arte da Torre Littoria, 1932
Costruzione Palazzo dell’Arte, 1932<br/>Giovanni Muzio
Costruzione Palazzo dell’Arte, 1932
Giovanni Muzio

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